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Pop-Up Submission Success

31 May

Ages ago I submitted my novel The Gates of Janus to Litopia’s Pop-Up Submissions, and yesterday it was finally included in their live YouTube show. The useful but terrifying idea is that you get to hear what literary agents and the like think about your submission, rather than just guessing when they send you a generic “not quite right for us” response. I have had many of those responses for The Gates of Janus so I thought this might be helpful – but I didn’t tell anyone ahead of time because I was afraid they would tear it to pieces!

Anyway, they didn’t tear it to pieces. In fact, it did rather well, so now I am telling you about it. You can see the whole episode here, and this link should take you to where my bit starts (my entry was last).

In a sense it’s unhelpful that GoJ did so well, because it doesn’t uncover the mystery of why it has been rejected so many times. However, it does give me the encouragement to go out and get it a few more rejections rather than giving up! Encouragement is something writers badly need, after all.

If you have your own project that you would like to hear literary types discuss then you can apply for Pop-Up Submissions yourself, although there is a significant wait. But what else are you going to do during the pandemic? Alternatively, if you have no idea how this whole submission thing works, then you can read my wee book How to Get Published, which is available free if you sign up to my extremely infrequent newsletter.

My year in review – 2020

31 Dec

It seems redundant to say that this year has not been what I expected. Unless you’ve been living in an isolated Amazon tribe (in which case I’d love to know how you’re reading this) you already know that 2020 was the year that said ‘no’. If you want to read about my experiences of the first lockdown, click the link. This winter lockdown feels much less new and exciting and much more of a dull, dark slog. However, life goes on regardless, so I will give you a quick review of my year as a whole.

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Being topical, accidentally or otherwise

19 Nov

One of the worries when you are writing for magazines is that your article will already be outdated by the time it’s published. It takes longer than you might think to put an edition of a magazine together, and articles are usually commissioned weeks or even months in advance. When I wrote my latest article for Christianity magazine about the effects of Covid-19 and associated lockdowns on vulnerable children throughout the world, we were in lockdown. By the time it was published, we were in that beautiful period of semi-normality between the first and second waves of the virus.

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Somewhere behind the rainbow

7 Jul

My latest piece in Premier’s Christianity magazine is about the effects on children of coronavirus and associated lockdowns around the world. If you think things are a bit pants here, what happens when you add in war, famine, pestilence and other assorted horsemen of the apocalypse? (And isn’t 2020 the most apocalyptic year you’ve ever experienced?? It certainly is for me.)

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There was a young woman from Glasgow…

15 Jun

Very quick post to say that I have a limerick about lockdown published in On the Premises, a fiction e-zine I subscribe to. And they paid actual money, which is always helpful in these straitened times. If you want to read it, and the other winning entries, click below. If not, move on with your life.

Reducing your misery footprint

9 Jun

It seems quite appropriate that, just after the statue of a man who profited from the slave trade is pulled down, my article on modern-day slavery comes out. I started writing it way before the incident that kicked off the recent protests, of course, and even before lockdown (although it’s been edited to reflect the new situation) but the problem has not gone away.

There are more slaves now than there have ever been.

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Noir from the Bar

5 Jun

Some of you may have virtually come along to session five of Virtual Noir at the Bar when I was doing a reading from my unpublished novel The Sarcophagus Scroll. Virtual Noir at the Bar has been running all through lockdown, and 100 authors have taken part to date.

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Video

Back to the Bar

30 Apr

If you didn’t make it to Virtual Noir at the Bar last night, you can attend on demand using the video below. You couldn’t do that in the old days. See, lockdown has some advantages! Continue reading

Join me at the (virtual) bar

27 Apr

This Wednesday, 29th April 2020, I’ll be reading from my unpublished novel The Sarcophagus Scroll at Virtual Noir in the Bar.

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Noir at the Bar is a crime fiction event that used to take place in pubs in Glasgow, Edinburgh, Dundee and Newcastle, but has now moved to Zoom, like everything else in the world. Continue reading

Five stars for Robin Hood

22 Apr

Robin Hood cover Readers Favourite badgeI just got another lovely review for Why Everything You Know about Robin Hood Is Wrong, this time from Reader’s Favorite. As it was a five-star review, I now have the right to put their lovely badge on my book, if I like (as in the picture above) or buy some sheets of sticky badges for oodles of money. I think I’ll make do with the digital kind.

The woman who did the review gave me too much credit for original research, when WEYKARHIW was really just a synthesis of existing research. But a five-star review is a five-star review and I’ll take it, thank you very much.

If you want to read it, it is here: Reader’s Favorite review. Otherwise, you can just coo in admiration over the rather snazzy metallic-effect badge superimposed above.