Every song on Radio 1

5 Dec

Although I am demographically more of a Radio 2 listener, for the last few months I have been listening to Radio 1 every morning. This has exposed me to a great deal of modern popular music, and I have noticed some patterns. In fact, I have identified a few (a very few) categories that probably 90% of the songs fit into.

Rap/Grime/Drill/Hip-Hop (as if I know the difference)

There seems to be only one kind of song in this musical genre(s), at least among the stuff I’ve heard, and it goes like this:

I used to be very poor.

Now I am very rich.

My wealth and fame give me entry to exclusive locations, the ability to purchase expensive items, and access to many women.

I also swear a lot.

Pop

There’s more variety among the pop offering, and it’s largely divided according to relationship status.

I am in a relationship

You are very attractive.

I think about you all the time.

I enjoy having sex with you.

I am looking for a relationship

You are very attractive.

I think about you all the time.

I very much hope that we will soon be having sex.

Those songs are generally sung by men. The ladies’ response can be split into two other categories:

I don’t know what you’re waiting for.

I think I’ve made it clear I’m interested.

or

Not a chance, pal.

Now get out of my dancing space.

I am no longer in a relationship

There are two categories in this relationship status, too, and there is a pronounced gender divide.

Generally men:

I used to be in a relationship with you.

Now I am not.

The breakup was my fault / I don’t understand where I went wrong.

I am very sad and regretful.

Generally women:

I used to be in a relationship with you.

Now I am not.

The breakup was your fault and you were very foolish.

I am happy and have no regrets.

So there you have it: 90% of the songs on Radio 1 in a single blog post. This doesn’t cover weirdy indy songs where you don’t even know what they’re singing about (although often they are the men’s “no longer in a relationship” category, I think). It also doesn’t cover Christmas songs, which are starting to creep onto the Radio 1 playlist, and had already conquered Radio 2 by December 1st.

Speaking of Christmas songs, there is an utterly adorable new song about the weirdness and sadness of Christmas in 2020, our reassessment of what matters and our hope for better times. And it has a catchy chorus and a gorgeous video of Glasgow. It’s by a couple of Glasgow teachers called (collectively) Lapwing, and you can listen to here:

Being topical, accidentally or otherwise

19 Nov

One of the worries when you are writing for magazines is that your article will already be outdated by the time it’s published. It takes longer than you might think to put an edition of a magazine together, and articles are usually commissioned weeks or even months in advance. When I wrote my latest article for Christianity magazine about the effects of Covid-19 and associated lockdowns on vulnerable children throughout the world, we were in lockdown. By the time it was published, we were in that beautiful period of semi-normality between the first and second waves of the virus.

Continue reading →

Sci-fi and fantasising

27 Oct

Over a month has flashed by since I last blogged, even though time also appears to be practically standing still. It’s just one of the weird things about 2020. “Time distort 4”, as Blake might say.

Continue reading →

The book WASN’T better

16 Sep

A controversial topic this time, so please keep your comments civil! I’m going to be taking you through a short list of books that I have read* which I think were not as good as the film adaptation.

(Warning: there are some spoilers in the Princess Bride section.)

Continue reading →

Let me ask you a question

14 Aug

One of the many things I do to scrape a living together is survey design (because for all the jokes about becoming like J K Rowling, writing is not a lucrative profession). For a very reasonable fee, I either build people a survey from scratch, or tell them what’s wrong with their own one. And often there is plenty wrong.

Just as my work as a proofreader means I can never simply read text without picking out all the errors, so my work as a survey designer means I can never take an online survey without going “that’s ambiguous”, “you should allow more than one option here” or “this matrix is far too big”, and so on.

These things are not just annoying for the people taking the survey; if you ask the wrong questions, or provide the wrong answer choices, you end up with unreliable data, or your respondents give up halfway through, both of which rather defeat the point of sending out the survey in the first place.

But rather than try to explain what I mean in this post, I’m going to invite you to take a survey I have specially designed to be as useless and annoying as possible. SurveyMonkey rates it as ‘great’, by the way (see the picture below), which just shows why you need to apply human intelligence to these things.

What a wonderful survey I have designed, according to SurveyMonkey!

I won’t be held responsible for any damage to your phone that occurs from throwing it across the room in frustration.

I only have a free SurveyMonkey account (because the paid ones are so ludicrously expensive) which means that only the first 100 people to click the button will be able to take the survey. If the maximum has already been reached, drop me a note in the comments below and I’ll see what I can do.

And if you are now in awe of my survey design skills, you can hire me on PeoplePerHour. Or just consider this your free tutorial in how not to design a survey.

Not just your basic, average, everyday, ordinary, run-of-the-mill, ho-hum dyslexic

5 Aug

And if you didn’t get the film reference in the title, shame on you.

A few weeks back I was interviewed by Darius Namdaran, director of the BulletMap Academy, for his Dyslexia Explored podcast. He got in touch because he had come across one of my posts on this website about the joys of dyslexia (yes, there are some).

Continue reading →

Blake’s 17°

11 Jul

A lot has happened since I started making my temperature blanket back in January. We’ve had a couple of wee cold snaps, a couple of mini-heatwaves, and the small matter of a global pandemic and consequent lockdown.

An update on my blanket. It’s getting too big to photograph easily!

I’ve also, finally, finished watching all four series of Blake’s 7. Progress slowed with lockdown because everyone was in the house all the time, and I’m the only one who enjoys Blake’s 7, or sci-fi in general. However, with the easing of restrictions, I found a bit more time and finished the fourth series – although I did have to work up the emotional energy to watch Orbit and then Blake, the ante-penultimate (an underused word) and final episodes respectively. Having seen them before, I know they pack a bit of a punch.

Continue reading →

Somewhere behind the rainbow

7 Jul

My latest piece in Premier’s Christianity magazine is about the effects on children of coronavirus and associated lockdowns around the world. If you think things are a bit pants here, what happens when you add in war, famine, pestilence and other assorted horsemen of the apocalypse? (And isn’t 2020 the most apocalyptic year you’ve ever experienced?? It certainly is for me.)

Continue reading →

A paean to Peppa Pig

2 Jul

This post is about one of my many niche interests, specifically that gentle satire on the English middle class: Peppa Pig. You might think that this is just a children’s cartoon about a family of pigs but you would be wrong. It is laugh-out-loud funny in its dissection of human foibles and frailty through the medium of stylized animal drawings.

Continue reading →

There was a young woman from Glasgow…

15 Jun

Very quick post to say that I have a limerick about lockdown published in On the Premises, a fiction e-zine I subscribe to. And they paid actual money, which is always helpful in these straitened times. If you want to read it, and the other winning entries, click below. If not, move on with your life.